In the Second, he expatiates "On the question which doth give the more content in love, whether touching, seeing or speaking;"
In the Third, he speaks "Concerning the Beauty of a fine leg, and the virtue the same doth possess;"
In the Fourth, he discourses "Concerning old dames as fond to practise love as ever the young ones be;"
In the Fifth, he tells "How Fair and honourable ladies do love brave and valiant men, and brave men courageous women;"
In the Sixth, he teaches, "How we should never speak ill of ladies,—and of the consequences of so doing;"
In the Seventh, he asks, "Concerning married women, widows and maids—which of these be better than the other to love."
This list of subjects, displaying as it does, all the leading ideas of the book, leaves me little to add. I have no call to go into a detailed appreciation of the Work under its manifold aspects as a gallery of portraits; my task was merely to judge of its general physiognomy and explain its raisin d'être; and this I have attempted to do.
I will only add by way of conclusion a few words to show the especial esteem we should feel for Brantôme on this ground, that his works contain nothing to corrupt good morals. Each narrative is told simply and straightforwardly, for what it is worth. The author neither embellishes nor exaggerates. Moreover the species of corollary he clinches it with is a philosophical and physiological deduction of the happiest and most apposite kind in the great majority of instances,—some witty and
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