APPENDIX—A
BRANTÔME: By Arthur Tilley
Like Montaigne, Brantôme pretended to be careless of literary fame, but in reality took every pains to secure it; like Montaigne he loved digressions, gaillardes escapades, from his main theme; like Montaigne he has drawn for us, though in his case unconsciously, a portrait of himself; like Montaigne he was curious of information, fond of travel and books. But these points of similarity are after all superficial; the difference is fundamental. While Montaigne tested the world and society by the light of his shrewd common sense, Brantôme accepted them without question or reflexion. Montaigne was essentially a thinker, Brantôme was merely a reporter; Montaigne was a moralist, for Brantôme the word morality had no meaning. Montaigne criticised his age, Brantôme reflected it. That indeed is Brantôme's chief value, that he reflects his age like a mirror, but it must be added that he reflects chiefly its more trivial, not to say its more scandalous side. He is the Suetonius of the French Renaissance.
Pierre de Bourdeille, "reverend father in God, abbe de Brantôme," belonged to a noble and ancient family of Perigord. The precise date of his birth is uncertain, but it must be placed somewhere between 1539 and 1542. He spent his childhood with his grandmother, Louise de Vivonne, wife of the seneschal of Poitou, at the court of Margaret of Navarre, and after studying first at Paris and then at Poitiers, travelled for more than a year in Italy, returning to France at the beginning of 1560, when he made his first appearance at the court. Though he already held other benefices besides the
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