only, to be after contriving the same delights for others to boot.
'Twas a lady in waiting at the French Court which did invent and have performed that fine Comedy entitled the Paradis d'Amour (Paradise of Love) in the Salle de Bourbon with closed doors, at which performance were none but actors and actresses present, forming players and audience both together. Such as do know the story will know what I mean. The play had six characters, three male and three female. Of these one was a Prince, who had his fair one, a great lady, though not too great neither, yet did he love her dearly; the second was a Lord, who did intrigue with the great Lady, a lady very liberal of her favours; the third was a simple gentleman, who did carry on with the maid, whom he did marry later. For the gallant authoress was fain to see her own character represented on the stage no less than the rest! Indeed 'tis ever so with the author of a Comedy; he doth put himself in the play, or else in the prologue. And so did this one, and on my faith, girl as she was, did play the part as well as the married women, if not better. The fact is she had seen more of the world than just her own country, and as the Spaniards say rafinada en Secobia,—had had a Segovia polish or fining. This is a proverb in Spain, Segovia being where the best cloths are fined.
I have heard tales told of many maids, who while serving their lady mistresses as Dariolettes, or confidantes, have been fain to taste and try the same dainties. Such ladies moreover be often slaves in their own women's hands, from dread of their discovering them and publishing abroad their amours, as I have noted above. 'Twas
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