ness." There is neither order nor method in his writing. He passes on abruptly, without motif, without transition. A courtier, unfamiliar with the rules of the school, he himself confesses (in the Rodomontades Espagnoles): "Son pen de profession du scavoir et de l'art de bien dire, et remet aux meux disans la belle disposition de paroles eloquentes." Because of the variety his stories have unusual charm. In these numerous anecdotes the graceful indecencies of the ladies-in-waiting at the court of the Valois are described as if they had happened openly. His reports of the illicit relations are rendered in a charming style. Even though his sketches and pictures are modelled entirely on the life at the courts, nevertheless he adds two personal elements: an amusing smile and a remarkable literary talent. The following may even have been the case. In the beginning Brantôme may have taken an entirely neutral attitude towards the material at hand, but took no greater personal interest in them than he would, say, in memoirs. But when we can tell a story well, then we also take pleasure in our ability. We permeate the story with our own enjoyment, and in a flash it turns out to be pleasure in the thing itself. The light of our soul glows upon them and then the things themselves look like gold. Brantôme rarely breaks through his reserve. He usually keeps his own opinions regarding these grand ladies and gentlemen in the background, he leaves it to the competent "grands discoureurs" to judge these things. To be sure, if one wished to get information regarding the court of Henri II. and Catherine of Medici, one ought not exactly to read Brantôme, who creates the impression as if the court were a model of a moral institution. "Sa compaignie et sa court estait un vray paradis du monde et escole de toute honnestate, de virtu, l'ornement de la France," he once says somewhere in the Dames illustres (page 64). On the other hand, L'Etorle in May, 1577, gives us a report of a banquet given by the Queen-mother in Chenonceaux: "Les femmes les plus belles et honnestes de la cour, estant a moitie nues et ayant, les cheveux epars comme espou-
[xxx]
