sembled magnates, arrayed in all the pompous insignia of their quality, and recited a short Latin poem petitioning for the honour of the laurel. The Count then in a long Latin oration extolled the poetical art, and addressing Crusius, proceeded in graceful panegyric to exhort him ever to merit and sustain his high reputation; that Justice herself might pronounce him worthy of the honour, nor even Envy question his claim. When the murmur of applause had subsided, Crusius again stood forth to recite an original poem, on a subject selected by himself. This composition extended to about three hundred lines in elegiac metre, its theme was "Quam nihil omnis homo," and it was termed his exercise for obtaining the laurel. The Count, to give the greater assurance that he had full power and authority to confer the title, produced his letters patent from the Emperor. The public notary solemnly inspected the seal and subscription, and read the document aloud to the meeting. The Count then briefly summing up the authority given him, observed that whoever desired to be crowned with the laurel, must first take the oath of allegiance to the Emperor and his successors, which he ordered the notary to read and Crusius carefully to listen to. When Crusius had taken the oath, the Count in another Latin oration proceeded to the main business of the day, and placed the laurel upon the head of the candidate, and a ring of gold upon his finger, pronouncing him Poet Laureate, and confirming him in all the privileges of the degree. The Count then made another speech, expatiating upon the laurel and the ring; and Crusius returned thanks in a poetical recitation which concluded the elaborate ceremonial.
All patronage given to letters requires the nicest tact and judgment in its application. The indulgence of the emperors was abused by the lavish and indiscriminate distribution of poetical honours; and the very means designed
