forget what he had meanwhile been doing in his poetical capacity. In 1697, he produced a short poem called "The Innocent Epicure, or the Art of Angling." It is of the didactic kind, and lays down minute directions for fishing. It is tedious and prosaic, and the rhymes are careless and faulty. "Panacea," a poem on tea, in 1700, was a more successful effort of his Muse. The subject may appear to us a strange one, but tea was then a novelty and a luxury. It was sold in a liquid state. In Dryden's "Wild Gallant" it is spoken of as a morning draught for those who had drank too deeply overnight. Pepys tells us: "I sent for a cup of tea (a Chinese drink), of which I had never drank before." In 1664, the East India Company purchased two pounds and two ounces to present to the King. Its virtues were then very highly estimated, and they are celebrated in this poem with Tate's utmost power. The versification is excellent, but as a whole, from its plan and subject, it is uninteresting.
This effort, his partnership with Dryden, his translations, and the success of one volume of poems, which had gone through two editions, seemed to have increased the fame of the Laureate. By a poetical friend he is thus addressed:
"The British Laurel by old Chaucer worn,
Still fresh and gay did Dryden's brow adorn,
And that its lustre may not fade on thine,
Wit, fancy, judgment, Tate, in thee combine."
It remains that we should look on Tate as Psalmist. And we shall see that he made much recompense for his few former offences against morality in pandering to the taste of the age, by his later writings, which tend to support the cause of religion and virtue. The times were mending a little, and some check seems to have been given to the open profligacy which characterized the period of the Restoration. In the Reformed Churches abroad,
