despair were terrible to witness; but when she attuned her voice to the utterance of love, or pity, or virgin sorrow, she laid, as it were, a spell on her audience, and melted or soothed them with the easy mastery of some superior being.
Her private life accorded not with the superiority of her public merits, and there seems little reason to doubt her criminal connection with the notorious Earl of Rochester. Though we cannot palliate, yet we may drop a veil over the errors of a beautiful and gifted woman, exposed to severe temptation; and regret that genius should ever stoop to vitiate its fairest title to respect. She died on the 7th of March, 1713, aged fifty-three, and was buried in the churchyard of Acton.
Mrs. Bracegirdle. But few records remain of the career and the triumphs of Mrs. Bracegirdle. The time and place of her birth are alike uncertain. Her powers as an actress were of the highest order, and her forte lay in genteel comedy. She excelled in male characters, "and her gait or walk," says her biographer, "was free, manlike, and modest in breeches." For years she was a reigning toast, and dramatic writers vied with each other in studying her powers, and in adapting their pieces to her peculiar excellencies. She was included in all the plays of Rowe and Congreve, who each endeavoured to captivate the heart of their idol by love speeches placed in the mouths of her fictitious adorers on the stage.
Her figure was finely proportioned. She was of a dark complexion, with dark brown hair and eyebrows, black eyes, and a most expressive countenance. In private life she was gentle, modest, and charitable. Though surrounded by admirers, scandal has not fastened on any impropriety in her behaviour; and "her virtue had its reward both in applause and specie." She retired from
