as to his worth; and the younger brother became a scholar at Winchester, and died a fellow of New College. The want of academical training is visible in the whole future career of Cibber, and his moral character suffered by being thrown, thus undisciplined, among the shifting quicksands of London life. The instant he heard of his failure, he hastened back to London, intent on spending an evening at the theatre before giving an account of himself at home. As he gazed upon the mimic scene, and heard the burst of applause that greeted each favourite actor, his heart heaved with emotion, and he pined to share that tinsel splendour and that empty approbation. He longed to become an actor, but suppressed, he says, "the bewitching ideas of so sublime a station," through dread of his father's displeasure. Fearing the temptation might become too strong if he remained within its immediate influence, he wrote to his father, requesting he might not have to wait another year for an election at Winchester, when he might only encounter a second disappointment, but proceed at once to the University. His father, who was occupied at Chatsworth, under the Earl of Devonshire, seemed inclined to accede to his wishes, and as he had some years before made some sculptures for Trinity College, he trusted his acquaintance with some of the Heads of Houses might be of service in settling young Colley at Cambridge.
Some months, however, elapsed, and to put a stop to his idleness in London, he was summoned to Chatsworth. On reaching Nottingham he found his father in arms, under the Earl, who had raised some troops in favour of William, Prince of Orange. As the old sculptor could make but an indifferent soldier, his son was readily accepted as his substitute, and he entered upon his new career with high glee. "At this crisis," he remarks, with his customary conceit, "it will be observed that the fate of
