Leave me! There's something come into my thought
That must and shall be sung high and aloof
Safe from the wolf's black jaw and the dull ass's hoof."
The higher effect of his muse to which Jonson evidently here alludes was tragedy. Accordingly in 1603, he produced "Sejanus," of which play we must make some special mention hereafter. It met with much opposition, was withdrawn, and afterwards remodelled. During the next few years, little is known of his literary labours, but he seems to have written for the stage in conjunction with some of his contemporaries, and his worldly affairs wore a sunnier aspect. Whatever his occasional inability to suit the tastes of theatrical audiences, he was winning golden opinions from the most eminent men of the day, and enjoying their love and friendship. His just reputation for great learning which frequently induced the spectators and critics to receive with apathy, if not displeasure, the works of one who they imagined was more bent on instructing than entertaining them, gained for him among the judicious a high esteem.
At the "Mermaid Tavern," in Friday Street, a club had been founded by no less a man than Sir Walter Raleigh, and here were wont to meet together the master spirits of the age. Here Shakespeare, Beaumont, Fletcher, Selden, Cotton, Martin and Donne, indulged convivial wit, and joined in intellectual discourse. Like the Roman Senate it was an assembly of kings. And with his knowledge and humour, and critical acumen, not the least star in that resplendent galaxy was the learned Ben Jonson.
It was at this time, too, that he paid several visits to the country-houses of the aristocracy. If we may trust Drummond, as early as 1603 our poet was on a visit to Sir Robert Cotton, and Camden, his old master, was his fellow-guest.
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