Jonson, the poet, about a speech to be made to welcome his Majesty, and about music and other invencions which may give liking and delight; by reason that the company doubt that their schoolmaster and scholleres be not acquainted with such kinde of entertainment." For this and other labours of the kind, Jonson received a pecuniary remuneration.
In 1609, he produced "The Silent Woman," and "The Masque of Queens." In the next year his brain was equally prolific, for that is the date of "The Masque of Barriers," and also "The Alchymist."
"Catiline" followed in 1611. This play, though not at first very successful, retained its place as a stock piece, until the Puritan, in the day of his power, banished the drama from the "kingdom of the saints," and closed the theatres where the lofty teachings of Shakespeare and Jonson had humanized and exalted their fellow-men. Next year an event occurred which threw a gloom over the Court and the nation. Prince Henry, eldest son of James I., died suddenly at the tender age of eighteen. His personal beauty, unblameable life, and engaging manners had won for him the admiration and affection of all. Men who hated the father, looked forward with pride and pleasure to the accession of the son. The sorrow which his death occasioned was not disproportionate to the popularity he had enjoyed through life.
"Hark! forth from the abyss a voice proceeds,
A long, low, distant murmur of dread sound
Such as arises when a nation bleeds
With some deep and immedicable wound."
It is perhaps a trite observation here to remark by how slender a thread does the sword of destiny seem to be suspended. On some casualty—how seemingly insignificant, on one life—alas! how uncertain! hang eventful
