times was given at Covent Garden. Madame Vestris played Rosaline; Harley, Armado; and Anderson, Berowne. The piece was performed nine times and three slightly differing versions of the acting text were published. In 1857 Samuel Phelps presented the play at the Sadler's Wells Theatre, Phelps himself taking the part of Armado. In 1885 and again in 1907 it was produced at the Memorial Theatre, Stratford-on-Avon, as the Shakespeare Birthday play (April 23), Mr. F. R. Benson playing Berowne on the latter occasion. The English Drama Society gave it in Bloomsbury Hall, April 24, 1906. Other productions are recorded by the companies of Charles Fry, Ben Greet, and Florence Glossop-Harris. An acting version, 'adapted by Elsie Fogerty for Girls' Schools,' was published in 1912. Recently, under the management of Miss Lillian Baylis, Love's Labour's Lost has appeared frequently in the repertory of the Royal Victoria Hall ('Old Vic.') in London; e.g. in the spring of 1918 and during the season that began September 22, 1923. The most recent production was that given by the Oxford University Dramatic Society in Wadham College garden, June 21, 1924. The enthusiastic tone of the critics of these late performances[1] shows that the play is now gaining in the esteem of audiences as during the past generation it has gained in the favor of critics and general readers.
The most important American productions of Love's Labour's Lost were those arranged by Augustin Daly in New York, in 1874 and again in 1891. The German Shakespeare scholar, Rudolph Genée, brought out in 1887 a considerably altered version in three acts for the German stage. In recent times this has usually been supplanted by translations which adhere more closely to the original.
- ↑ See reviews, for example, in the Manchester Guardian, September 28, 1923, and June 27, 1924.
