making-up before, sullen concessions and treaties. But this was different. He tried to imagine something he might say, some appeal that he might make. Everything he thought of was cold and hard, or pitiful and undignified, or theatrical and foolish. Suppose the door was closed! If already it was too late! In every direction he was confronted by the bristling memories of harsh things. He had a glimpse of how he must have changed in her eyes, and things became intolerable for him. For now he was assured he loved her still with all his heart.
And suddenly came a florist's window, and in the centre of it a glorious heap of roses.
They caught his eye before they caught his mind. He saw white roses, virginal white, roses of cream and pink and crimson, the tints of flesh and pearl, rich, a mass of scented colour, visible odours, and in the midst of them a note of sullen red. It was as it were the very colour of his emotion. He stopped abruptly. He turned back to the window and stared frankly. It was gorgeous, he saw, but why so particularly did it appeal to him?
Then he perceived as though it was altogether self-evident what he had to do. This was what he wanted. This was the note he had to strike. Among other things because it would repudiate the accursed worship of pinching self-restraint that was one of the incessant stresses between them. They
