[171]
sumed, that no future Critic or Commentator in his observations on Shakspeare, will ascribe either the virtuous scruples of Macbeth, or his remorseful agonies, to so mean a cause as constitutional timidity. If so mistaken a persuasion could prevail, it would entirely counteract the salutary effect of the finest tragedy that has ever been written, and defeat the moral purpose to which, in every age, the Stage has been indebted for the favour and the works of wise and virtuous men, and the protection and support of all good governments.
THE END.
