hand, draws with the other." A candle furnished the necessary light.
During the French Revolution, it was a dangerous thing to possess a likeness of the martyred King Louis XVI. The scions of the nobility, resident in Paris in disguise, living, as it were, in the shadow of the guillotine, carefully hid all souvenirs of the king and royal family, until better days should dawn. To be found in possession of a portrait of the ill-fated Louis meant denunciation and death. Finally a clever wood carver of royalist persuasion succeeded in fashioning a cane which would throw a silhouette upon a wall—a likeness of Louis XVI. He drove a great trade among the aristocrats, who carried these walking sticks about with impunity, flourishing them under the very noses of the revolutionists. Nobody could possibly suspect a cane. Chessmen were also made on similar principles. When the tables were turned and Louis XVIII came to his own again, it was a dangerous thing to indulge in Napoleonic relics. A carver in wood, possibly an old soldier of the Imperial Guard, constructed a silhouette cane for the suppressed Bonapartists.
The illustrating of books and magazines with silhouette pictures has recently come into vogue.
