which the Church, declaring it outside of her domain, permitted to be embellished at will. Thus poetic legends were multiplied, their authors being more or less convinced that the reader would be able to distinguish truth from poetical embellishment. The common people continued to make little distinction and did not permit criticism to influence their ancient beliefs. They regarded these legends as they regard the pictures of the saints; not as portraits of the persons depicted— for in the very next church the same saint might be represented in a quite different manner— but as illustrations, more or less apt, whose object was to attract the attention by their artistic character and thus to draw the mind to the contemplation of their original, and by it to God, and thereby serve the purpose of edification."
If we are not devoid of all sentiments of piety, the history of the combats and victories of the saints and martyrs, and the narrative of the miracles wrought through their intercession before and after their death, will always be a source of joy and consolation to us, and will tend to animate us with similar fortitude and love of virtue.
The legends of the Fourteen Holy Helpers are replete with the most glorious examples of heroic firmness and invincible courage in the profession of the Faith, which ought to incite us to imitate
