tidings from the dead of their youthful friend Starkey, they will feel a pang as I do at having teased his gentle spirit.'
"They were big girls, it seems, too old to attend his instructions with the silence necessary; and, however old age and a long state of beggary seems to have reduced his writing faculties to a state of imbecility, in those days his language occasionally rose to the bold and figurative, for, when he was in despair to stop their chattering, his ordinary phrase was, 'Ladies, if you will not hold your peace, not all the powers in heaven can make you.' Once he was missing for a day or two; he had run away. A little, old, unhappy-looking man brought him back—it was his father, and he did no business in the school that day but sat moping in a corner with his hands before his face; the girls, his tormentors, in pity for his case, for the rest of the day forbore to annoy him.
"'I had been there but a few months,' adds she, 'when Starkey, who was the chief instructor of us girls, communicated to us a profound secret, that the tragedy of Cato was shortly to be acted by the elder boys, and that we were to be invited to the representation.' That Starkey lent a helping hand in fashioning the actors she remembers; and, but for his unfortunate person, he might have had some distinguished part in the scene to enact. As it was he had the arduous task of prompter assigned to him and his feeble voice was heard clear and distinct repeating the text during the whole performance. She describes her recollection of the caste of characters even now with a relish:—Martia, by the handsome Edgar Hickman, who afterwards went to Africa, and of whom she never afterwards heard tidings; Lucia, by Master Walker, whose