recollection now; but the faces of some of them I can still partially recall. Hazlitt's face, for instance, keen and aggressive, with eyes that flashed out epigram. Tom Hood's, a methodist parson's face, not a ripple breaking the lines of it, though every word he dropped was a pun, and every pun roused roars of laughter. Leigh Hunt's, parcel genial, parcel democratic, with as much rabid politics on his lips as honey from Mount Hybla. Miss Kelly [the little Barbara S. of Elia], plain but engaging, the most unprofessional of actresses and unspoiled of women; the bloom of the child on her cheek undefaced by the rouge, to speak in metaphors. She was one of the most dearly welcome of Lamb's guests. Wordsworth's, farmerish and respectable, but with something of the great poet occasionally breaking out, and glorifying forehead and eyes. . . ."
Mary did not escape her usual seizure. "You will understand my silence," writes Lamb to his Quaker friend, "when I tell you that my sister, on the very eve of entering into a new house we have taken at Enfield, was surprised with an attack of one of her sad long illnesses, which deprive me of her society, though not of her domestication, for eight or nine weeks together. I see her, but it does her no good. But for this, we have the snuggest, most comfortable house, with everything most compact and desirable. Colebrook is a wilderness. The books, prints, &c. are come here, and the New River came down with us. The familiar prints, the busts, the Milton, seem scarce to have changed their rooms. One of her last observations was, 'How frightfully like this is to our room at Islington,'—our upstair room she meant. We have tried quiet here for four months, and I will answer
