WILLIAM T. RICHARDS
a brave youngster who took his fate in his own hands was as one against thousands.
The English tradition prevailed without the English motive. Dunlap has told us in his "History of the Arts of Design" that the English of an earlier day looked upon Art as beneath an aristocrat; in the Quaker town, painting was an unhallowed thing fit only for the non-elect.
But Mr. Richards had stuff in him that would have overcome even greater discouragements. He was born for achievement and, without the physical power for overcoming natural obstacles, he had the grit and the genius for surmounting those of convention. He was a character, and if equipped and called, he would have gone his independent way, as Mungo Park did, into unknown Africa, or he was prepared to break down barriers of narrow habit nearer home.
On June 7, 1858, a second son, Charles Matlack Richards, was born, and in that same spring the family
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