MASTERPIECES OF THE SEA
stand the affinity. The great English poet and seer laid down the law that for over two generations has governed English poetry. There was to be no more artificiality, no more theatrical appeal, no more rhetoric and antithesis and unnatural posing. The mellow English speech was to return to the nursery and it was to tell tales of plain life, unvarnished nature, simple reality.
This was the preference of Mr. Richards as an artist. He looked out at nature in a reverent spirit. He had instincts to copy and to interpret. He never felt the need to add adornments of his own or to force his personality into the transcript. His was not the fame at stake, but nature's. He never thought of himself. He was not a high priest in theatric robes; but an humble worshipper. Why should he be supplying additions or trimmings to a sight already so overpowering in its beauty and mystery? If he could get the facts stated in a language every eye could recognize—that was a great thing, that was the duty nature was fulfilling
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