WILLIAM T. RICHARDS
But no national art has ever begun at the top and grown backwards. Method must be learnt before the thing to be expressed and the thing expressed comes before imaginative excursions. Through these stages we have been going, and one of the surest and safest guides in method and expression was Mr. Richards. He had his own ideals, his own visions of grandeur in cliff and sea, he made his own adventurous way in the dizzy places of higher art, and he has left noble examples, poetic and uplifting. But his great merit was his painstaking application, his impeccable drawing, his humble and loving observation of nature, and his mastery of his art.
One of the lasting impressions of one's life is that scene at the Pennsylvania Academy of the Fine Arts, when it was in its glory and conferred on its old and honored pupil and Academician the highest award in its gift: the Gold Medal of Honor. At that dinner, where all the American artists of the time were grouped
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