Biographical Note
two sons, Maurice and Solange, and a daughter. She quickly perceived, as her own intellectual nature developed, that her boorish husband was unsuited to her, but their early years of married life were not absolutely intolerable. In 1831, however, she could endure him no longer, and an amicable separation was agreed upon. She left M. Dudevant at Nohant, resigning all her fortune, and proceeded to Paris, where she was hard pressed to find a living. She endeavoured, without success, to paint the lids of cigar-boxes, and in final desperation, under the influence of Jules Sandeau, who became her lover, and who invented the pseudonym of George Sand for her, she turned her attention to literature. Her earliest work was to help Sandeau in the composition of his novel, "Rose et Blanche." Her first independent novel, "Indiana," appeared at the close of 1831, and her second, "Valentine," two months later. These books produced a great and immediate sensation, and she felt that she had found her vocation. In 1833 she produced "Lélia"; in 1834 the "Lettres d'un Voyageur" and "Jacques"; in 1835 André" and "Leone Leoni." After this her works became too numerous and were produced with too monotonous a regularity to be chronicled here. But it should be said that "Mauprat" was written in 1836 at Nohant, while she was pleading for a legal separation from her husband, which was given her by the tribunal of Bourges, with a full authority over the education of her children. These early novels all reflect in measure the personal sorrows of the author, although George Sand never ceased to protest against too strict a biographical interpretation of their incidents. "Spiridion" (1839), composed under the influence of Lammenais, deals with questions of free thought in religion. But the novels of the first period of her literary activity, which came to a close in 1840, are mainly occupied with a lyrical individualism, and are inspired by the wrongs and disillusions of the author's personal adventures.
The years 1833 and 1834 were marked by her too-celebrated relations with Alfred de Musset, with whom she lived in Paris and at Venice, and with whom she quarrelled at last in circumstances deplorably infelicitous. Neither of
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