Mauprat
longer in the chimney-corner. My portrait, which I had had painted in Philadelphia and had sent over during the American war, had been taken down from the wall. These were signs of death and malediction.
I left this room with all haste and went upstairs with the courage of innocence, but with despair in my soul. I walked straight to Edmée's room, knocked, and entered at once. Mademoiselle Leblanc was coming towards the door; she gave a loud scream and ran away, hiding her face in her hands as if she had seen a wild beast. Who, then, could have been spreading hideous reports about me? Had the abbé been disloyal enough to do so? I learnt later that Edmée, though generous and unshaken in her lucid moments, had openly accused me in her delirium.
I approached her bed and, half delirious myself, forgetting that my sudden appearance might be a death-blow to her, I pulled the curtains aside with an eager hand and gazed on her. Never have I seen more marvellous beauty. Her big dark eyes had grown half as large again; they were shining with an extraordinary brilliancy, though without any expression, like diamonds. Her drawn, colourless cheeks, and her lips, as white as her cheeks, gave her the appearance of a beautiful marble head. She looked at me fixedly, with as little emotion as if she had been looking at a picture or a piece of furniture; then, turning her face slightly towards the wall, she said, with a mysterious smile:
"This is the flower they call Edmea sylvestris."
I fell upon my knees; I took her hand; I covered it with kisses; I broke into sobs. But she gave no heed; her hand remained in mine icy and still, like a piece of alabaster.
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