She was crying with rage; but as that spent itself a great warm flood of genuine sorrow tided over her, floated her away: she cried as though her heart was breaking; and now she cried for pity, and at last she cried for very love. A pale ethereal Cino, finger on lip, rose before her; a halo burned about his head; he seemed a saint, he should be hers! Ugolino and Ridolfo, helpless and ashamed before her outburst, went out bickering to their sport; and Selvaggia, wild as her name, untaught, with none to tutor her, dared her utmost—dared, poor girl, beyond her strength.
Late in the afternoon of that day Cino, in the oratory of his hermitage, getting what comfort he could out of an angular Madonna frescoed there, heard a light step brush the threshold. The sun, already far gone in the west, cast on the white wall a shadow whose sight set his head spinning. He turned hastily round. There at the door stood Selvaggia in a crimson cloak; for the rest, a picture of the Tragic Muse, so woebegone, so white, so ringed with dark she was.
Cino, on his feet, muttered a prayer to himself. He covered his scarred mouth, but not before the girl had caught sight of it. She set to wringing her hands, and began a low wailing cry.
"Ah, terrible—ah, terrible! That I should have done it to one who was always so gentle with me and so patient! Oh, Cino"—and she held out her hands towards him—"oh, Cino, will you not forgive me? Will you not? I, only, did it; it was through me that they knew what you had said. Shameful girl that I am!" She
