chamber is full of them; and there they are—on promotion, you understand. But though she has a wonderful free spirit, she is no beauty, you must know. Her mouth is too big, and her eyes are too small. It is a kissing mouth, as we say, my dear, and a speaking eye—and there you have Madama Lionella, who loves minstrels."
"Tell me," said Olimpia here, "who is that pretty gentleman with my friend? Is he not a minstrel?"
The Captain turned in his saddle and, when he had observed, snorted his disdain.
"That sprout, my deary?" said he. "Some such dapper little chamber-fellow, I'll warrant you. A lap-dog, a lady's toy, with a piping voice and an eye for mischief. Yes, he'll be for climbing by Madama Lionella's back-stair. He has the make of it—just the doll she loves to dandle." Which was all the Captain had to say for Angioletto.
Little as it was, it was more than Angioletto had to say for Mosca. He was, indeed, serenely indifferent to the lean brown man. From the moment of their setting out, he and Bellaroba had wagged tongues in concert, and before they had made a dozen miles each knew the other's story to the roots. Angioletto's was no great matter. The Capuchins at Borgo had taught him his rudiments, his voice had taken him into the choir, his manners into the sacristy. He had been Boy-Bishop twice, had become a favourite of the Warden's, learnt Latin, smelt at Greek, scribbled verses. Then, one Corpus Christi, he got his chance. There was to be a Pageant—
