joes—play an' dance at the same time. You try, Tertius."
The Emperor pushed aside his pea-green sleeves of state, and followed Dick Four on a heavy nickel-plated banjo.
"Yes, but I'm dead. Bung in the middle of the stage, too," said Abanazar.
"Oh, that's Beetle's biznai," said Dick Four. "Vamp it up, Beetle. Don't keep us waiting all night. You've got to get Pussy out of the light somehow, and bring us all in dancin' at the end."
"All right. You two play it again," said Beetle, who, in a gray skirt and a wig of chestnut sausage-curls, ret slantwise above a pair of spectacles mended with an old boot-lace, represented the Widow Twankay. He waved one leg in time to the hammered refrain, and the banjoes grew louder.
"Urn! Ah! Er—'Aladdin now has won his wife,'" he sang, and Dick Four repeated it.
"'Your Emperor is appeased.'" Tertius flung out his chest as he delivered his line.
"Now jump up, Pussy! Say, 'I think I'd better come to life!' Then we all take hands and come forward: 'We hope you've all been pleased.' Twiggez-vous?"
"Nous twiggons. Good enough. What's the chorus for the ballet? It's four kicks and a turn," said Dick Four.
"Oh! Er!
John Short will ring the curtain down,
And ring the prompter's bell;
We hope you know before you go
That we all wish you well."
"Rippin'! Rippin'! Now for the Widow's scene with the Princess. Hurry up, McTurk."
A dark, sallow, raw-boned Irish boy in a violet silk skirt and a coquettish blue turban slouched forward as one thoroughly ashamed of himself. The Slave of the Lamp climbed down from the piano, and dispassionately kicked him. "Play up, Turkey," he said; "this is serious." But there fell on the door the knock of authority. It happened to be King, the most hated of the housemasters—King in gown and mortar-board enjoying a Saturday evening prowl before dinner.
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". . . WHILE ALADDIN IN PINK COTTON TIGHTS . . ."
"Locked doors! Locked doors!" he snapped with a scowl. "What's the meaning of this; and what, may I ask, is the intention of this—this epicene attire?"
"Pantomime, sir. The Head gave us leave," said Abanazar, as the only member of the Sixth concerned. Dick Four stood firm in the confidence born of well-fitting tights, but Beetle strove to efface himself behind the piano. A gray princess-skirt borrowed from a day-boy's mother and a spotted cotton bodice unsystematically padded with writing-paper make one ridiculous. And in other regards Beetle had a bad conscience.
"As usual!" sneered King. "Futile foolery just when your careers, such as they may be, are hanging in the balance. I see! Ah, I see! The old gang of criminals—allied forces of disorder—Corkran"—the Slave of the Lamp smiled politely—"McTurk"—the Irishman scowled—"and, of course, the unspeakable Beetle, our friend Gigadibs." Abanazar, the Emperor, and Aladdin had more or less of characters, and King passed them over. "Come forth, my inky buffoon, from behind yonder instrument of music! You supply, I presume, the doggerel for this entertainment. Esteem yourself to be, as it were, a poet?"
"He's found one of 'em," thought Beetle, noting the flush on King's cheekbone.
"I have just had the pleasure of reading an effusion of yours to my address, I believe—an effusion intended to rhyme. So—so you despise me, Master Gigadibs, do you? I am quite aware—you need not explain—that it was ostensibly not intended
