"And that my choice could not have been a bad one I conclude from having been pronounced by Mr. Palmer (the then proprietor of the Bath theatre) to be an ornament to the stage. And as to acquitting myself in giving my songs and recitatives in the 'Messiah,' 'Judas Maccabeus,' &c., I had the satisfaction of being complimented by my friends, and the Marchioness of Lothian, &c., who were present at the rehearsals, for pronouncing my words like an Englishwoman."
It is evident that had she chosen to persevere, her reputation as a singer would have been secure. The following year she was first singer at the concerts, and was offered an engagement for the Birmingham Festival, which she declined, having resolved only to sing in public where her brother was conductor. At this time he had repeated proposals from London publishers to bring out some of his vocal compositions, but with the exception of "The Echo" catch, none of them ever appeared in print. Besides the regular Sunday services, concerts and oratorios had to be prepared for and performed in steady routine, sometimes at Bristol also, while the poor prima-donna-housekeeper "hobbled on" with one dishonest servant after another, until Whit Sunday, 1782, when both brother and sister played and sung for the last time, in St. Margaret's Chapel. On this occasion, their last performance in public, the anthem selected for the day was one of the last compositions, of which mention has been made above.
The name of William Herschel was fast becoming famous, as a writer, a discoverer, and the possessor and
