from many others, but they made no great impression nor caused any interruption in his occupation or study, and as soon as the season for the concerts was over, and the mould, &c., in readiness, a day was set apart for casting, and the metal was in the furnace, but unfortunately it began to leak at the moment when ready for pouring, and both my brothers and the caster with his men were obliged to run out at opposite doors, for the stone flooring (which ought to have been taken up) flew about in all directions, as high as the ceiling. My poor brother fell, exhausted with heat and exertion, on a heap of brickbats. Before the second casting was attempted, everything which could ensure success had been attended to, and a very perfect metal was found in the mould, which had cracked in the cooling.
"But a total stop and derangement now took place, and nearly six or seven months elapsed before my brother could return to the undisturbed enjoyment of his instruments and observations. For one morning in Passion week, as Sir William Watson was with my brother, talking about the pending journey to town, my eldest nephew[1] arrived to pay us a visit, and brought the confirmation that his uncle was expected with his instrument in town. A chaise was at the door to take us to Bristol for a rehearsal in the forenoon, of the 'Messiah,' which was to be performed the same evening. The conductor being still lost in conversation with his friend, was obliged to trust to my poor abilities for filling the music box with the necessary parts for between ninety and one hundred performers. My nephew had travelled all night, but we took him with us, for we had not one night in the week,
- ↑ George Griesbach, who with the rest of the family settled in England, where they all did well, their musical talents and connections bringing them a good deal under the notice of the Court. Mr. G. Griesbach's youngest daughter, Elizabeth, became the wife of Mr. Waterhouse, of the British Museum. She died in 1874.
