tionaries, the Uitznauac Teohuatzin and the Tepan Teohuatzin, the latter of whom shared his responsibilities as an educational officer. Beneath these dignitaries were ranked an upper grade of priests, called Tlanamacac, and a lower grade, Tlamacazqui; and finally the novices, Tlamacazton. The priests of the upper grade included a number of functionaries with special titles, who were devoted to the services of particular deities, or to the discharge of definite functions, as was the Ome Tochtzin, or overseer of the religious singers, who provided the latter with wine according to the following peculiar practice. After the singing, the Ome Tochtzin produced 303 canes, one only of which was bored throughout its length; the singers drew one each, and he who was lucky enough to hit upon the pierced cane had the sole privilege of drinking octli on that day. It is impossible to enter into details as regards these priests with special functions, and the interested reader may be referred to the work of Sahagun. The Mexican priesthood exercised very little control over the religious life of the subject cities beyond exacting the tribute necessary for the maintenance of the temples and sacrifices, and insisting on expiatory sacrifices in cases of breach of discipline (as in the case of the Totonac of Cempoala for having received the Spaniards). Subject to this very loose supervision, each city was permitted to exercise its own particular form of worship, and, as has been shown, the Aztec were always ready to adopt the worship of the gods of their neighbours. The ceremonial garb of priests in general consisted of black body-paint, sometimes with designs in ochre, and a black mantle; their hair was never cut, and the lobes of their ears were invariably torn in shreds owing to constant practice of the penitential rite of blood-letting. The black-robed priests with their long locks matted with blood and their torn ears made a great impression upon Bernal Diaz when he first met
