When Cortéz arrived in front of this truncated pyramid, two priests and several caciques were in attendance, by order of Montezuma, to bear him in their arms to its summit. But the hardy conqueror declined this effeminate means of transportation, and marched up slowly at the head of his soldiers. On the paved and level area at the top, they found a large block of jasper, the peculiar shape of which showed it was the stone on which the bodies of the unhappy victims were stretched for sacrifice. Its convex surface, rising breast high, enabled the priest to perform more easily his diabolical task of removing the heart. Besides this, there were two sanctuaries erected on the level surface of the Teocalli; two altars, glowing with a fire that was never extinguished; and a large circular drum, which was struck only on occasions of great public concern.
Such was the Teocalli or House of God. There were other edifices, having the name of Teopan, or Places of God. Some writers allege that there were two towers erected on the great Teocalli of Tenochtitlan; but it may be safely asserted that there was at least one of these, which rose to the height of about fifty-six feet, and was divided into three stories, the lower being of stone, while the others were constructed of wrought and painted wood. In the basement of these towers were the sanctuaries, where two splendid altars had been erected to Huitzilopotchtli and Tezcatlipoca, over which the idol representatives of these divinities were placed in state.
Within the enclosure of the Teocalli there were forty other temples dedicated to various Aztec gods. Besides these, there were colleges or residences and seminaries of the priests, together with a splendid house of entertainment, devoted to the accommodation of eminent strangers who visited the temple and the court. All these sumptuous ecclesiastical establishments were grouped around the pyramid, protected by the quadrangular wall, and built amid gardens and groves.
Cortéz asked leave of the Emperor, who accompanied him on his visit, to enter the sanctuaries of the Aztec deities. In a spacious stuccoed saloon, roofed with carved and gilt timber, stood the gigantic idol of Huitzilopotchtli, the Mexican Mars. His countenance was harsh and menacing. In his hands he grasped a bow and golden arrows. He was girt with the folds of a serpent, formed of precious materials, whilst his left foot was feathered with the plumage of the humming-bird, from which he took his name. Around his throat hung suspended a massive
