all with the public as their favourite author; but probably there is no other existing in Spain who enjoys so much popular regard. As such, notwithstanding the inferior merit of his lyrical and miscellaneous poetry, excepting his satirical writings, it would have been a blameworthy omission to have left his name out of the list of the modern poets of Spain. It was, however, for this reason more advisable to make the selections from those satirical writings; though independently of this consideration, it would have been also desirable, in a work attempting to give a general view of modern Spanish poetry, that so essential and popular a branch of it should not be left unnoticed.
For the poems under this head, Breton has only given the general term "Satirical Letrillias," so that with those translated his numbering only could be adopted for reference. The Letrillia, it may be proper to observe, is what our musical writers call Motetts or small pieces, having generally some well-known proverbial saying for the close of each verse.
