Del Rio states, that Espronceda was in his public dis-
courses an ineffective speaker, and ascribes it to the physical weakness of his frame; he describes him as having been distinguished for sarcasms, and only at intervals powerful in declamation. "In conversation he made an affectation of laughing at the restraints and virtues which are necessary for the order of society, and yet in private life no one was more remarkable for kindness and generosity. When the cholera was raging in Madrid, he was one of the most active in disregarding its attacks, and in attending to the wants of those near him who were suffering from it." "All who knew him loved him, and even to his faults he knew how to give a certain impression of greatness." Del Rio proceeds to describe him as having been graceful in his bearing, endowed with manly beauty, and his countenance marked with a melancholy cast that rendered it more interesting. He concludes by observing, that notwithstanding the years that have passed since his friends had to lament his loss, a garland of everlastings never fails to be found renewed over his grave.
In 1848 Baudry published another edition of Espronceda's works, at Paris, but, with the exception of the fifth and sixth cantos of the ’Diablo Mundo,’ there is no additional poem given, though Del Rio points out six other pieces published in different periodicals. This omission is much to be regretted, as undoubtedly every line that proceeded from his pen was worthy of being gathered together as a rare treasure. It is to be hoped that some admirer of his genius may soon collect those scattered relics, and give them in an edition worthy of their character in Spanish literature. Another Life of him also would be most desirable, as in the Paris edition there is only repeated the account given by Ferrer del Rio, which, though ably written as a sketch, is still on the same
