like them spoons, and I'm agoin' to give you one; I'd give you all on 'em if they wasn't promised. I can make one more in time, so you jest take your pick, 'cause I like you, and want you not to forgit me."
Sylvia chose Saint John, because it resembled Moor, she thought; bespoke and paid for a whole set, and privately resolved to send tools and rare woods to the little artist that he might serve his mother in his own pretty way. Then Nat took up his crutches and hopped nimbly before her to the room, where a plain, serene-faced woman lay knitting, with her best cap on, her clean handkerchief and large green fan laid out upon the coverlet. This was evidently the best room of the house; and as Sylvia sat talking to the invalid her eye discovered many traces of that refinement which comes through the affections. Nothing seemed too good for "daughter Patience;" birds, books, flowers, and pictures were plentiful here though visible nowhere else. Two easy-chairs beside the bed showed where the old folks oftenest sat; Abel's home corner was there by the antique desk covered with farmers' literature and samples of seeds; Phebe's work-basket stood in the window; Nat's lathe in the sunniest corner; and from the speckless carpet to the canary's clear water-glass all was exquisitely neat, for love and labor were the handmaids who served the helpless woman and asked no wages but her comfort.
Sylvia amused her new friends mightily, for finding that neither mother nor son had any complaints to make, any sympathy to ask, she exerted herself to give them what both needed, and kept them laughing by a lively recital of her voyage and its mishaps.
"Ain't she prime, mother?" was Nat's candid commentary when the story ended, and he emerged red and shiny
