TO BE INTELLIGENT
does concede intelligence as a fortunate possession to some of his heroines. But upon even a slight examination those ladies, like Portia, turn out to have been among Shakspere's Italian importations—their wit was part and parcel of the story he borrowed; or, like Viola, they are English types of humility, patience, and loyalty, such as we find in the old ballads, with a bit of Euphuism added, a foreign cleverness of speech. After all, these are only a few of Shakspere's heroines; over against them are Ophelia, Juliet, Desdemona, Hero, Cordelia, Miranda, Perdita—lovable for other qualities than intellect,—and in a sinister group, Lady Macbeth, Cleopatra, Goneril, intelligent and wicked.
In Paradise Lost Milton attributes intelligence of the highest order to the devil. That this is an Anglo-Saxon reading of the infernal character may be
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