TO BE INTELLIGENT
English novel. We should see how often the writers have distinguished between intelligence and goodness, and have enlisted our affections for a kind of inexpert virtue. In Fielding or Scott, Thackeray or Dickens, the hero of the English novel is a well-meaning blunderer who in the last chapter is temporarily rescued by the grace of God from the mess he has made of his life. Unless he also dies in the last chapter, he will probably need rescue again. The dear woman whom the hero marries is, with a few notable exceptions, rather less intelligent than himself. When David Copperfield marries Agnes, his prospects of happiness, to the eyes of intelligence, look not very exhilarating. Agnes has more sense than Dora, but it is not even for that slight distinction that we must admire her; her great qualities are of the heart—patience, humility, faithfulness. These are the qual-
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