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Page:Motion Pictures 1912 to 1939 (IA Motionpict19121939librrich0010).djvu/22

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Cumulative Copyright Catalog

  • AFRICA. (A Walter Lantz Bill Nolan Cartoon) (An Oswald Cartoon) 1930. 1 reel.
    • Credits: Animation, Walter Lantz, Bill Nolan.
    • © Universal Pictures Corp.; 25Nov30; MP2077.
  • AFRICA BEFORE DARK. (An Oswald Cartoon) Snappy. 1928. 1 reel.
    • Credits: Walt Disney.
    • © Universal Pictures Corp.; 3Feb28; LP24972.
  • AFRICA, LAND OF CONTRAST. (M. G. M. Traveltalk) 1934. 1 reel, sd.
    • Credits: Compiled by James A. FitzPatrick.
    • © Metro Goldwyn Mayer Corp.; 9Jul34; MP4947.
  • AFRICA SHRIEKS. 1931. 1 reel.
    • © The Vitaphone Corp.; 5Feb31; MP2281.
  • AFRICA SPEAKS. 1930. For Colorado African Expedition, Inc. 8 reels, sd.
    • Credits: Produced and filmed by Paul A. Hoefler and Walter A. Futter.
    • © Columbia Pictures Corp.; 17Oct30; LP1651.
  • AFRICA SPEAKS ENGLISH. 1933. 1 reel, sd.
    • Credits: Director, Roy Mack; story, Burnet Hershey.
    • © The Vitaphone Corp.; 6Feb33; LP3638.
  • AFRICA SQUAWKS. 1931. 2 reels, sd.
    • Credits: Producer, Phil Goldstone.
    • © Tiffany Productions of California, Inc., Ltd.; 3Aug31; LP2372.
  • AFRICA SQUAWKS. (A Terry-Toon) 1939. 1 reel, sd.
    • Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.
    • © Terrytoons, Inc.; 30Jun39; MP9508.
  • AFRICA SQUEAKS. (Flip the Frog Cartoon) 1932. 1 reel.
    • © Metro-Goldwyn-Mayer Distributing Corp.; 19Feb32; MP3167.
  • AN AFRICAN ADVENTURE. 1927. 1 reel.
    • © Metro Goldwyn Mayer Dist. Corp.; 14Sep27; MP4527.
  • AN AFRICAN BOMA. (Adventures in Africa, no. 2) 1931. 2 reels.
    • © The Vitaphone Corp.; 13Apr31; MP2467.
  • THE AFRICAN DIAMOND CONSPIRACY. Societa Italiana Cines, Italy. © 1914.
    • © George Kleine (Societa Italiana Cines, author); title, descr. & 81 prints, 14Janl4; LU1960.
  • THE AFRICAN DODGER. 1931. 1 reel, sd.
    • Credits: Director, Mort Blumenstock; story, Tom Howard; dialogue staged by Max E. Hayes.
    • © Paramount Publix Corp.; 3Apr31; LP2126.
  • AN AFRICAN HUNT. 1915. 400 ft. On same reel with "Susie's Suitors."
    • Credits: Drawn by Vincent Whitman.
    • © Lubin Mfg. Co. (Vincent Whitman, author); 15Jul15; MP374.
  • AFRICAN HUNT. SEE Paul J. Rainey's African Hunt.
  • AFRICAN HUNTSMEN. © 1924.
    • © Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 20 prints, 11Dec24; MU2805.
  • AFRICAN LIONS AND AMERICAN BEAUTIES. 1919. 2 reels.
    • Credits: Written and directed by Fred C. Fishback.
    • © Century Comedies; 25Oct19; LP14340.
  • AFRICAN SEA BIRDS. 1913. 1 reel.
    • © Thomas A. Edison, Inc.; 20Dec13; MP114.
  • AFTER A REPUTATION. Century. 1925. 2 reels.
    • Credits: Written and directed by William Watson.
    • © Universal Pictures Corp.; 19Mar25; LP21261.
  • AFTER ALL. SEE New Morals for Old.
  • AFTER BIG GAME OF THE SEA. Sterling. 1915. Split reel.
    • © Universal Film Mfg. Co., Inc.; 22Apr15; MP311.
  • AFTER BUSINESS HOURS. 1925. 5,600 ft. Adapted from the story "Everything Money Can Buy" by Ethel Watts Mumford.
    • Credits: Director, Mal St. Clair; scenario, Douglas Doty; editor, Errol Taggard.
    • © Columbia Pictures Corp.; 22Apr25; LP21394.
  • AFTER DARK. © 1915. Based on the play by Dion Boucicault.
    • © World Film Corp. (E. M. Ingleton, author); title, descr. & 147 prints, 3Sep15; LU6270.
  • AFTER DARK. © 1924.
    • Credits: Screenplay, J. F. Natteford.
    • © Hurricane Film Corp. (J. F. Natteford, author); title, descr. & 273 prints, 1Nov24; LU20726.
  • AFTER DEATH. © 1913.
    • © George Kleine (Societa Italiana Cines, author); title, descr. & 100 prints, 6Dec13; LU1742.
  • AFTER FIVE. © 1915. Based on the play by Cecil B. DeMille and William C. DeMille.
    • © Jesse L. Lasky Feature Play Co., Inc. (William C. DeMille and Cecil B. De Mille, authors); title, descr. & 19 prints, 25Jan15; LU4276.
  • AFTER FIVE. SEE The Night Club.
  • AFTER HENRY. Metro-Drew. 1918. 1 reel.
    • Credits: Written and directed by Mr. and Mrs. Sidney Drew.
    • © Metro Pictures Corp.; 12Feb18; LP12055.
  • AFTER HIS OWN HEART. 1919. 5 reels. From the story by Ben Ames Williams.
    • Credits: Producer, Maxwell Karger; director, Harry L. Franklin; scenario, A. S. Le Vino.
    • © Metro Pictures Corp.; 2May19; LP13665.
  • AFTER MANY YEARS. © 1913.
    • © Albert Blinkhorn (General Film Agency, Ltd., author); title, descr. & 78 prints, 8Dec13; LU1761.
  • AFTER MARRIAGE. Presented by J. G. Mayer. 1923. 5 reels.
    • Credits: Written and directed by Norman Dawn.
    • © Mayer & Quinn; 28Dec23; LP19781.
  • AFTER MIDNIGHT. 1921. 5 reels.
    • Credits: Producer, Ralph Ince; story, John Lynch.
    • © Selznick Pictures Corp.; 9Sep21; LP16978.
  • AFTER MIDNIGHT. 1927. 7 reels, b&w.
    • Credits: Production, direction, and story, Monta Bell; scenario, Lorna Moon; titles, Joe Farnham; film editor, Blanche Sewell.
    • © Metro Goldwyn Mayer Distributing Corp.; 17Aug27; LP24413.
  • AFTER OFFICE HOURS. A Robert Z. Leonard production. 1935. 7 reels, sd., b&w.
    • Credits: Producer, Bernard H. Hyman; director, Robert Z. Leonard; story, Laurence Stallings, Dale Van Every; screenplay, Herman J. Mankiewicz; film editor, Tom Held.
    • © Metro-Goldwyn-Mayer Corp.; 11Feb35; LP5349.
  • AFTER SEBEN. 1929. 2 reels.
    • Credits: Director, S. Jay Kaufman; story, James Barton.
    • © Paramount Famous Lasky Corp.; 17May29; LP392.
  • AFTER SIX DAYS. Presented by Weiss Brothers. 1922. 10 reels. From stories of the Old Testament.
    • Credits: Producers and directors, Armando Vay, Piero Antonio Gariazzo; edited and titled by Kathyrne Stuart.
    • © Artclass Pictures Corp.; 17Jun22; LP20253.
  • AFTER THE BALL. © 1914. Taken from the song by Charles K. Harris.
    • Credits: Picturized and directed by Pierce Kingsley.
    • © Photo Drama Co. (Chas. K. Harris & Pierce Kingsley, authors); title, descr. & 160 prints, 8Jul14; LU2984.
  • AFTER THE BALL. 1923. For Theatre Owners Distributing Corp. 7 reels. Adapted from the song by Charles K. Harris.
    • Credits: Director, Dallas M. Fitzgerald; story, Charles K. Harris; scenario, James Colwell.
    • © Renco Film Co., Inc.; 29Dec23; LP19780.
  • AFTER THE BALL. 1929. 1 reel, sd.
    • Credits: Director, Dave Fleischer.
    • © Paramount Famous Lasky Corp.; 8Nov29; MP822.
  • AFTER THE BALL. Gaumont-British, London. 1933. 6,454 ft., sd.
    • Credits: Director, Milton Rosmer; adaptation, H. M. Harwood.
    • © Fox Film Corp.; 6Mar33; LP3700.
  • AFTER THE BALLED-UP BALL. 1917. 2 reels.
    • Credits: Director, J. A. Howe; supervision, J. G. Blystone.
    • © L-Ko Motion Picture Kompany, Inc.; 8Feb17; LP10151.
  • AFTER THE BATTLE. Special Big U. 1916. 2 reels.
    • © Universal Film Mfg. Co., Inc.; 14Sep16; LP9114.
  • AFTER THE CIRCUS. (Paramount-Briggs) 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.
    • Credits: Director, John William Kellette; scenario, Doty Hobart.
    • © Famous Players-Lasky Corp.; 15Nov19; LP14501.
  • AFTER THE DANCE. 1935. 7 reels, sd.
    • Credits: Director, Leo Bulgakov; story, Harrison Jacobs; screenplay, Harold Shumate; additional dialogue, Bruce Manning; film editor, Otto Meyer; music, Harry Akst.
    • © Columbia Pictures Corp.; 30Jul35: LP5690.
  • AFTER THE HONEYMOON. © 1912.
    • © Biograph Co. (V. Fulton, author); title, descr. & 86 prints, 27Nov12; LU135.
  • AFTER THE ORDER—THEN WHAT? 1928. 1 reel.

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