Page:Motion Pictures 1912 to 1939 (IA Motionpict19121939librrich0010).djvu/466

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Cumulative Copyright Catalog


  • LADIES MUST PLAY. Cont'd.
  • Gene Milford.
    • © Columbia Pictures Corp.; 6Aug30; LP1478.
  • LADIES NIGHT IN A TURKISH BATH. 1928. 7 reels.
    • Credits: Charlton Andrews, Avery Hopwood; director, Edward Cline; adaptation, Henry McCarty, Gene Towne.
    • © First National Pictures, Inc.; 7Feb28; LP24956.
  • LADIES NOT ALLOWED. (Lambs Gambol Series, no. 1) 1932. 2 reels.
    • Credits: Written and directed by Joseph Santley; musical director, Frank Tours; music, Percy Wenrich.
    • © Columbia Pictures Corp. & The Lambs; 7Sep32; MP3511.
  • LADIES OF LEISURE. 1926. 6 reels.
    • Credits: Director, Thomas Buckingham; story and continuity, Albert Lewin.
    • © Columbia Pictures Corp.; 13Feb26; LP22398.
  • LADIES OF LEISURE. 1930. 10 reels, sd. Adapted from the David Belasco stage play "Ladies of the Evening" by Milton Herbert Gropper.
    • Credits: Producer, Harry Cohn; director, Frank R. Capra; adaptation and dialogue, Jo Swerling; film editor, Maurice Wright.
    • © Columbia Pictures Corp.; 1May30; LP1295.
  • LADIES OF THE BIG HOUSE. 1931. 8 reels, sd. From the play by Ernest Booth.
    • Credits: Director, Marion Gering; screenplay, Louis Weitzenkorn; additional dialogue, William Slavens McNutt, Grover Jones.
    • © Paramount Publix Corp.; 26Dec31; LP2725.
  • LADIES OF THE EVENING. SEE Ladies of Leisure.
  • LADIES OF THE JURY. 1932. 7 reels, sd. From the play by John Frederick Ballard.
    • Credits: Producer, William Le Baron; director, Lowell Sherman; dialogue, Salisbury Field; adaptation, Marion Dix; additional dialogue, Eddie Welch; film editor, Charles Kimball.
    • © RKO Radio Pictures, Inc.; 14Jan32; LP2759.
  • LADIES OF THE JURY. SEE We're on the Jury.
  • LADIES OF THE MOB. 1928. 7 reels.
    • Credits: Producer and director, William A. Wellman; story, Ernest Booth; screenplay, John Farrow; adaptation, Oliver H. P. Garrett.
    • © Paramount Famous Lasky Corp.; 30Jun28; LP25428.
  • LADIES OF THE NIGHT CLUB. 1928. 7 reels, sd.
    • Credits: Director, George Archainbaud; story, Ben Grauman Kohn; continuity, Houston Branch, John Francis Natteford; titles, Paul Perez; editor, L. R. Brown.
    • © Tiffany-Stahl Productions, Inc.; 26 May28; LP25300.
  • LADIES PREFERRED. (Mermaid Comedies) 1928. 2 reels.
    • Credits: Producer, Jack White; director, Charles Lamont.
    • © Educational Film Exchanges, Inc.; 18Jul28; LP25476.
  • LADIES SHOULD LISTEN. Presented by Adolph Zukor. 1934. 7 reels, sd. From the play by Alfred Savoir and Guy Bolton.
    • Credits: Producer, Douglas MacLean; director, Frank Tuttle; screenplay, Claude Binyon, Frank Butler; adaptation, Guy Bolton.
    • © Paramount Productions, Inc.; 1Aug34; LP4860.
  • LADIES THAT PLAY. Presented by Adolph Zukor. 1934. 1 reel, sd.
    • Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.
    • © Paramount Productions, Inc.; 10Dec34; MP5141.
  • LADIES TO BOARD. 1924, 6 reels.
    • Credits: Director, J. C. Blystone; story, William Dudley Pelley; scenario, Donald W. Lee.
    • © William Fox (Fox Film Corp., author); 3Feb24; LP19692.
  • THE LADIES WAR. 1914. 1 reel.
    • Credits: Director, Wilfrid North.
    • © Vitagraph Co. of America (Roy L. McCardell, author); 27May14; LP2779.
  • THE LADIES WORLD. SEE
    • What Happened to Mary.
    • Who Will Marry Mary?
  • THE LADY. First National. 1925. 8 reels. Based on the A. H. Woods stage play by Martin Brown.
    • Credits: Producer, Frank Borzage; screen version, Frances Marion.
    • © Joseph M. Schenck; 19Jan25; LP21038.
  • THE LADY. SEE The Secret of Madame Blanche.
  • LADY AND GENT. 1932. 9 reels, sd.
    • Credits: Grover Jones, William Slavens McNutt; director, Stephen Roberts.
    • © Paramount Publix Corp.; 15Jul32; LP3153.
  • THE LADY AND THE GLOVE, 1913.
    • Credits: Director, Frederick Thomson.
    • © Vitagraph Co. of America (Mrs. E. Breuil, author); 23Jul13; LP976.
  • THE LADY AND THE MOB. 1939. 7 reels, sd.
    • Credits: Associate producer, Fred Kohlmar; director, Ben Stoloff; story, George Bradshaw, Price Day; screenplay, Richard Maibaum, Gertrude Purcell; film editor, Otto Meyer.
    • © Columbia Pictures Corp. of California, Ltd.; 6Mar39; LP8690.
  • THE LADY AND THE MOUSE. © 1913.
    • © Biograph Co. (D. W. Griffith, author); title, descr. & 240 prints, 23Apr13; LU636.
  • LADY AUDLEY'S SECRET. 1915. 5 reels. Adapted from the novel by M. E. Braddon.
    • Credits: Pictured by Marshall Farnum; adaptation, Mary Asquith.
    • ** © William Fox; 4Aug15; LP6085.
  • LADY AVERAGE. SEE Meet the Missus.
  • LADY BABBIE. © 1913. 3 reels.
    • © Société Française des Films et Cinématographes Éclair (Eclair Film Co., author); title, descr. & 94 prints, 170ct13; LU1410.
  • LADY BAFFLES AND DETECTIVE DUCK. Powers. 1915. 1 reel each. Title varies: no, 6, 1915, has title "The Mysterious Lady Baffles and Detective Duck." © Universal Film Mfg. Co., Inc.
    • Credits: Gale Henry; producer, Allen Curtis; scenario, Clarence C. Badger.
    1. The Great Egg Robbery. © 21May15; LP5349.
    2. The Sign of the Sacred Safety Pin. © 3Jun15; LP5458.
    3. The 18 Carrot Mystery. © 16Jun15; LP5572.
    4. Baffles Aids Cupid. © 1Jul15; LP5721.
    5. At the Signal of the Three Socks. © 13Jul15; LP5614.
    6. Saved by a Scent. © 27Jul15; LP5935.
    7. The Dread Society of the Sacred Sausage. © 12Aug15; LP6062.
    8. The Ore Mystery. © 22Sep15; LP6438.
    9. When the Wets Went Dry. © 6Oct15; LP6572.
    10. The Lost Roll. © 20Oct15; LP6724.
    11. Kidnapping the King's Kids. © 17Nov15; LP6980.
  • LADY BARBERS. 1920. 1 reel.
    • © John Franklin Meyer; 26Apr20; MP1612.
  • LADY BARNACLE. Rolfe. 1917. 5 reels. Adapted from the story by Edgar Franklin (pseud. of Edgar Franklin Stearns].
    • Credits: Director, John H. Collins; scenario, June Mathis.
    • © Metro Pictures Corp.; 4Jun17; LP10890.
  • LADY BE CAREFUL. Presented by Adolph Zukor. 1936. 8 reels. Based on a play by Kenyon Nicholson and Charles Robinson.
    • Credits: Director, Theodore Reed; screenplay, Dorothy Parker, Alan Campbell, Harry Ruskin.
    • © Paramount Pictures, Inc.; 4Sep36; LP6580.
  • LADY BE GOOD. 1928. 7 reels. From the musical comedy by Guy Bolton, Fred Thompson, and George Gershwin.
    • Credits: Director, Richard Wallace; adaptation and continuity, Adelaide Heilbron, Jack Wagner.
    • © First National Pictures, Inc.; 24Apr28; LP25188.
  • LADY BEHAVE! 1938. 8 reels.
    • Credits: Associate producer, Albert E. Levoy; director, Lloyd Corrigan; original story, Joseph Krumgold; screenplay, Joseph Krumgold, Olive Cooper; film editor, William Morgan; music director, Alberto Colombo.
    • © Republic Pictures Corp.; 5Jan38; LP7733.
  • A LADY BELLHOP'S SECRET. Fox Film Corp. 1919. 2 reels.
    • © William Fox (The Fox Film Corp., author); 4May19; LP13691.
  • LADY BY CHOICE. 1934. 8 reels.
    • Credits: Associate producer, Robert North; director, David Burton; story, Dwight Taylor; screenplay, Jo Swerling; film editor, Viola Lawrence.
    • © Columbia Pictures Corp.; 50ct34; LP5003.
  • LADY CLARE. 1912. 1 reel. Based on the poem by Alfred, Lord Tennyson.
    • © Thomas A, Edison, Inc.; 6Dec12; LP158.
  • THE LADY CONSENTS. 1936. 9 reels, sd.
    • Credits: Associate producer, Edward Kaufman; director, Stephen Roberts; story, P. J. Wolfson; screenplay, P. J. Wolfson, Anthony Veiller; music director, Roy Webb.
    • © RKO Radio Pictures, Inc.; 7Feb36; LP6206.
  • THE LADY DOCTOR OF GRIZZLY GULCH. Joker. 1915. 1 reel.
    • Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.
    • © Universal Film Mfg. Co., Inc.; 13May15; LP5279.
  • THE LADY ESCAPES. 1937. 5,560 ft., sd. Based on the novel and play "My Second Wife" by Eugene Heltai.
    • Credits: Director, Eugene Forde; screenplay, Don Ettlinger; music, Samuel Kaylin.
    • © Twentieth Century-Fox Film Corp,; 23Jul37; LP7439.
  • LADY ESMERELDA'S PREDICAMENT. SEE Lost in Limehouse.
  • THE LADY FARE. 1929, 2 reels, sd.
    • Credits: Director, William Watson; story, Octavus Roy Cohen.
    • © Paramount Famous Lasky Corp.; 27Sep29; LP725.

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