not the Lilliputians of life who are slowly worked on and moulder by them, and whose small doings are the material of most novels. We know of few novelists who have touched at all successfully on the less known characters. This accomplishment seems to need the great poet himself.
The manner in which Lady Lodore is influenced seems to point to Harriet ; but the unyielding and revengeful side of her character has certainly more of Lady Byron. She is charmingly described, and shows a great deal of insight on Mary's part into the life of fashionable people of her time, which then, perhaps more than now, was the favourite theme with novelists. This must be owing to a certain innate Tory propensity in the English classes or masses for whom Mary Shelley had to work hard, and for whose tendencies in this respect she certainly had a sympathy. Mary's own life, at the point we have now reached, is also here touched on in the character of Ethel, Lord and Lady Lodore's daughter, who is brought up in America by her father, and on his death entrusted to an aunt, with injunctions in his will that she is not to be allowed to be brought in contact with her mother. Her character is sweetly feminine and trusting, and in her fortunate love and marriage (in all but early money matters) might be considered quite unlike Mary's own less fortunate experiences; but in her perfect love and confidence in her husband, her devotion and unselfishness through the trials of poverty in London, the descriptions of which were evidently taken from Mary's own experiences, there is no doubt of the resemblance, as also in her love and reverence for all connected with her father. There are also passages undoubtedly expressive of her own inner feelings such as this
