Mounet-Sully, M.—continued
in Ruy Blas, 291;
supports Sarah Bernhardt on her first appearance at the Gaiety, 307-8;
advice to Sarah Bernhardt, 322, 323;
comments of Sarah Bernhardt on, 329
Multon, Miss, bust of, 257
Murray, John, tribute to Sarah Bernhardt, 307
Napoleon III., 24, 304;
commands Sarah Bernhardt to the Tuileries, 135-39, 144;
his defeat at Sedan, 154-55;
his treatment by Rochefort, 219
Prince Jerome, "Plon-Plon," 129, 284
Narrey, Charles, 256
Nashville, 420
Nathalie, Mme., the incident with Sarah Bernhardt, 101-4;
her revenge, 105
National, the, 295
Neuilly, visits to, 3, 11-15
New Haven, 385
New Orleans, the crossing to, 414-16;
Sarah Bernhardt's impressions, 416-18
New York—
Sarah Bernhardt's impressions, 361-367;
the reporters, 367-68;
the Custom-House, 369-73;
Brooklyn Bridge, 372;
the police, 375;
the professional matinée at, and departure from, 433-434
Newark, 433
Niagara Falls, 426;
visit of Sarah Bernhardt, 427-32
Nittis the painter, 317
Noe, Mme. Lily, 386
Nordenskjold, M., 347
Novelli, 330
O'Connor, Captain, 222-24, 347
Odéon, the—
Success of Athalie, 126-27;
sociability among the actors, 127, 244;
reception of Dumas père, 130-31;
success of Le Passant, 135-39;
enthusiasm of the students for Sarah Bernhardt, 139;
benefit for Sarah Bernhardt, 145-46;
welcome to Adelina Patti, 145-46;
the Sarah Bernhardt ambulance, 160-87;
patients of, transferred to the Val-de-Grâce, 186;
reopened after the Treaty of Paris, 224;
Sarah Bernhardt's break with the, 234-36;
Victor Hugo's supper to the artistes, 239-43
Ohio river, the, 423
On ne badine pas avec l'amour, 121, 337
Opéra, the, 163
Ophelia, the spring of, Elsinore, 344
Orange, Prince of, 138
Othello, 291
Palais de l'Industrie, 166
Palmer House, Chicago, the, 400
Parc Monceau, 187
Paris—
Popular feeling on outbreak of Franco-Prussian War, 151-53;
siege proclaimed, 155-59;
organisation of the defence, 160;
the Odéon ambulance, 160-87;
bombarding of, 172-87;
effect of the sufferings on the morale of the people, 185-86;
the armistice, 186;
sights after, 187;
the Commune, 217-24;
the peace signed, 224;
Presidents, 304;
capital punishment in, 410-13
Parodi, M., 351;
Rome Vaincue, 279
Parrot, M., artist, 269
, Dr., 309-10
"Part," use of the term, 33
Patti, Adelina, 145-46
Pelissier, General, 190, 195
Père Lachaise Cemetery, 174
Perrin, M.—
Engagement of Sarah Bernhardt, 235-36, 238-39, 245;
staging of Dalila, 249;
fury of, 249-50;
incident of the "moon" in Le Sphinx, 251-53;
insists on Sarah Bernhardt playing Zaïre, 254-55;
strained relations with Sarah Bernhardt, 256, 282-83, 288, 291;
staging of Phèdre, 264-66;
discussion concerning La Fille de Roland, 267-68;
his tricks in L'Etrangère, 272-75;
anger at the balloon ascent, 284, 288;
the agreement with John Hollingshead, 293;
attitude regarding the drawing-room entertainments, 294-95;
letter to Sarah Bernhardt from Paris, 322;
his lecture on her return, 326-27;
production of L'Aventurière and resignation of Sarah Bernhardt, 331-34;
influences Coquelin to leave London, 340
Petit, Mlle. Dica, at the Conservatoire, 66, 67
, Mme., visit to M. Massin, 96-97
Phèdre, 249, 265-66, 305-8, 335, 337, 399, 401, 440
Philadelphia, 399, 433
Philiberte, 337
Picard, 269
Pierson, Blanche, 109
Pisa, 49
Pittsburg, Sarah Bernhardt's impressions, 422-23
Place de la Roquette, executions in, 410-13
Pluche, Amélie, 28
Poissy, prisoners of, 223
Polhes, General, 35
Pons, M., 79
Pont, l'Abbé, 259
Porel, M. Paul, 85, 150;
at the Odéon ambulance, 171;
in Jean Marie, 224-225
Porte Saint Martin Theatre, 119-22
Potin, Félix, 165
Potter-Palmer, Mr., 400
Providence, 433
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