the appearance of a thing in a given perspective is causally affected by the matter between the thing and the perspective. We have found a meaning for "between a thing and a perspective." But we want matter to be something other than the whole class of appearances of a thing, in order to state the influence of matter on appearances.
We commonly assume that the information we get about a thing is more accurate when the thing is nearer. Far off, we see it is a man; then we see it is Jones; then we see he is smiling. Complete accuracy would only be attainable as a limit: if the appearances of Jones as we approach him tend towards a limit, that limit may be taken to be what Jones really is. It is obvious that from the point of view of physics the appearances of a thing close to "count" more than the appearances far off. We may therefore set up the following tentative definition:
The matter of a given thing is the limit of its appearances as their distance from the thing diminishes.
It seems probable that there is something in this definition, but it is not quite satisfactory, because empirically there is no such limit to be obtained from sense-data. The definition will have to be eked out by constructions and definitions. But probably it suggests the right direction in which to look.
We are now in a position to understand in outline the reverse journey from matter to sense-data which is performed by physics. The appearance of a thing in a given perspective is a function of the matter composing the thing and of the intervening matter. The appearance of a thing is altered by intervening smoke or mist, by blue spectacles or by alterations in the sense-organs or nerves of the percipient (which also must be reckoned as part of the intervening medium). The nearer we approach to
