FASCINATION OF THE SUBJECT
Architectural Districts
Although the mason-craft of the Maya peoples was essentially similar in all the regions populated by its various tribes and offshoots, there existed in the several localities occupied by them certain differences in construction and ornamentation which would almost justify us in dividing them into separate architectural spheres. In Chiapas, for example, we find the bas-relief predominant, whether in stone or stucco. In Honduras we find a stiffness of design which implies an older type of architecture, along with caryatides and memorial pillars of human shape. In Guatemala, again, we find traces of the employment of wood. As the civilisation of the Maya cannot be well comprehended without some knowledge of their architecture, and as that art was unquestionably their national forte and the thing which most sharply distinguished them from the semisavage peoples that surrounded them, it will be well to consider it for a space as regards its better-known individual examples.
Fascination of the Subject
He would indeed be dull of imagination and of spirit who could enter into the consideration of such a subject as this without experiencing some thrill from the mystery which surrounds it. Although familiarised with the study of the Maya antiquities by reason of many years of close acquaintance with it, the author cannot approach the theme without a feeling of the most intense awe. We are considering the memorials of a race isolated for countless thousands of years from the rest of humanity—a race which by itself evolved a civilisation in every respect capable of comparison with those of ancient Egypt or Assyria. In these
