MYTHS OF MEXICO AND PERU
similar designs, or medallions, many of which are probably representations of priests or priestesses who once dwelt within the classic shades and practiced strange rites in the worship of gods long since forgotten. One of these is of a woman with delicate features and high-bred countenance, and the frame or rim surrounding it is decorated in a manner recalling the Louis XV style.
The east gallery is 114 feet long, the north 185 feet, and the west 102 feet, so that, as remarked above, a lack of symmetry is apparent. The great court is reached by a Mayan arch which leads on to a staircase, on each side of which grotesque human figures of the Maya type are sculptured. Whom they are intended to portray or what rite they are engaged in it would indeed be difficult to say. That they are priests may be hazarded, for they appear to be dressed in the ecclesiastical maxtli (girdle), and one seems to be decorated with the beads seen in the pictures of the death-god. Moreover, they are mitred.
The courtyard is exceedingly irregular in shape. To the south side is a small building which has assisted our knowledge of Maya mural decoration; especially valuable is the handsome frieze with which it is adorned, on which we observe the rather familiar feathered serpent (Kukulcan or Quetzalcoatl). Every-where we notice the flat Maya head—a racial type, perhaps brought about by deformation of the cranium in youth. One of the most important parts of the Palace from an architectural point of view is the east front of the inner wing, which is perhaps the best preserved, and exhibits the most luxurious ornamentation. Two roofed galleries supported by six pillars covered with bas-reliefs are reached by a staircase on which hieroglyphic signs still remain. The reliefs in
