THE MURDER OF COH
listens, he watches. The high-priest himself, Cay, their elder brother, sees the storm that is brewing behind the dissensions of Coh and Aac. He trembles at the thought of the misfortunes that will surely befall the dynasty of the Cans, of the ruin and misery of the country that will certainly follow. Divested of his priestly raiment, he comes nude and humble as it is proper for men in the presence of the gods, to ask their advice how best to avoid the impending calamities. The chief of the auspices is in the act of reading their decrees on the palpitating entrails of a fish. The sad expression on his face, that of humble resignation on that of the pontiff, of deferential astonishment on that of the assistant, speak of the inevitable misfortunes which are to come in the near future.
"We pass over interesting battle scenes . . . in which the defenders have been defeated by the Mayas. Coh will return to his queen loaded with spoils that he will lay at her feet with his glory, which is also hers.
The Murder of Coh
"We next see him in a terrible altercation with his brother Aac. The figures in that scene are nearly life-size, but so much disfigured and broken as to make it impossible to obtain good tracings. Coh is portrayed without weapons, his fists clenched, looking menacingly at his foe, who holds three spears, typical of the three wounds he inflicted in his brother's back when he killed him treacherously. Coh is now laid out, being prepared for cremation. His body has been opened at the ribs to extract the viscera and heart, which, after being charred, are to be preserved in a stone urn with cinnabar, where the writer found them in 1875. His sister-wife, Queen Móo, in sad contemplation of the remains of the beloved, . . . kneels at his feet. . . . The winged
