of what he says. Bourrienne, De Méneval, and Maret invent a stenography of their own, for he never repeats any of his sentences; so much the worse for the pen if it lags behind, and so much the better if a volley of exclamations or of oaths give it a chance to catch up."
IV.
HIS ITALIAN LOQUACITY.
One generally associates extraordinary military genius with taciturnity; and there is also a disposition to regard reticence as an inevitable accompaniment of great force of will, and of genius in action. There are many good people who really think that Mr. Gladstone cannot be regarded as a man of genius in action for the reason that he has talked so much throughout his life. A study of Napoleon will dissipate this idea; never was there a talker so incessant, so impetuous, so daring. Here, again, his Italian origin reveals itself. Italy is the land of improvisation, and over and over again Taine applies to Napoleon the Italian term "improvisatore." This is his description, for instance, of Napoleon speaking at a Ministerial Council:—
"Never did speech flow and overflow in such torrents, often without either discretion or prudence, even when the outburst is neither useful nor creditable; subject to this inward pressure the improvisator and polemic, under full headway,
