X.
AN EARLY PORTRAIT.
And now, here is Taine's description of the Guérin portrait:—
"Now, notice in Guérin, that spare body, those narrow shoulders under the uniform wrinkled by sudden movements, the neck swathed in its high twisted cravat, those temples covered by long, smooth, straight hair, exposing only the mask, the hard features intensified through strong contrasts of light and shade, the cheeks hollow up to the inner angle of the eye, the projecting cheekbones, the massive protuberant jaw, the sinuous, mobile lips, pressed together as if attentive, the large clear eyes, deeply sunk under the broad arched eyebrows, the fixed oblique look, as penetrating as a rapier, and the two creases which extend from the base of the nose to the brow, as if in a frown of suppressed anger and determined will."
"Add to this the accounts of his contemporaries who saw or heard the curt accent, or the sharp, abrupt gesture, the interrogating, imperious, absolute tone of voice, and we comprehend how it was that the moment they accosted him, they felt the dominating hand which seized them, pressed them down, held them firmly, never relaxing its grasp."
