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Quicksand

tables of gay color, a lacquered jade-green settee with gleaming black satin cushions, lustrous Eastern rugs, ancient copper, Japanese prints, some fine etchings, a profusion of precious bric-a-brac, and endless shelves filled with books.

Anne Grey herself was, as Helga expressed it, “almost too good to be true.” Thirty, maybe, brownly beautiful, she had the face of a golden Madonna, grave and calm and sweet, with shining black hair and eyes. She carried herself as queens are reputed to bear themselves, and probably do not. Her manners were as agreeably gentle as her own soft name. She possessed an impeccably fastidious taste in clothes, knowing what suited her and wearing it with an air of unconscious assurance. The unusual thing, a native New Yorker, she was also a person of distinction, financially independent, well connected and much sought after. And she was interesting, an odd confusion of wit and intense earnestness; a vivid and remarkable person. Yes, undoubtedly, Anne

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