Quicksand
with an odd gesture of sudden soft collapse, like a person who had been for months fighting the devil and then unexpectedly had turned
Helga Crane had taught in Naxos for almost two years, at first with the keen joy and zest of those immature people who have dreamed dreams of doing good to their fellow men. But gradually this zest was blotted out, giving place to a deep hatred for the trivial hypocrisies and careless cruelties which were, unintentionally perhaps, a part of the Naxos policy of uplift. Yet she had continued to try not only to teach, but to befriend those happy singing children, whose charm and distinctiveness the school was so surely ready to destroy. Instinctively Helga was aware that their smiling submissiveness covered many poignant heartaches and perhaps much secret contempt for their instructors. But she was powerless. In Naxos between teacher and student, between condescending authority and smoldering re-
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