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science and art. But no other way is left to us of gaining an insight in this culture, than to search the country perseveringly for the purpose of disclosing the monuments, hidden in the ground or enviously concealed by the primeval vegetation, that now reigns alone in many of those places, which were formerly occupied by populous and flourishing cities, and artistically ornamented temples.
By comparing these monuments with those of Mexican culture, somewhat better known in certain respects, we may hope finally to arrive at the solution of some of the intricate problems concerning the ancient nations of Central America and their history.
The antiquities figured by me were found for the greatest part in the island of Zapatera, the rock carvings in the islet of Ceiba close to Zapatera, only some few ceramic objects are from the island of Ometepec. All these localities are contained within the territory occupied by the Niquirans, and on this account may probably be considered as specimens of Aztec art, or of an art very closely related to this. Those few statues that I have seen in the neighbourhood of Granada and in Las Isletas immediately off Granada, as well as the statues and high-reliefs in the little volcanic island of Momotombito in Lake Managua, the former belonging probably to los Dirianos, the latter to los Nagrandanos, appear to me to be much more rudely executed, without any attempt to copy the human body; whereas many of the statues of Zapatera testify to a pretty accurate study of the human body, often presenting faithfully elaborated muscle portions etc., so as to make it probable that the Niquiran artists used models. There certainly are found rather fantastic figures even among these statues, but in general their originators prove to be artists of a more realistic conception, and at the same time of more developed technics than the
