Christopher—for purposes of conversation she had adhered to that old story, at any rate till that interview. He had said nothing at all. Not one word. . . . At the end of the interview, when he had risen and produced from an adjoining room a bowler hat and an umbrella, saying that he must now go to his office, he had put to her without any expression pretty well what stood in the letter, as far as business was concerned. He said that she could have Groby, but she must understand that, his father being now dead and he a public official, without children and occupied in London with work that suited him, Groby was practically Christopher's property to do what he liked with as long as—which he certainly would—he kept it in proper style. So that, if she wished to live there, she must produce Christopher's authorization to that effect. And he added, with an equableness so masking the proposition that it was not until she was well out of the house and down the street that its true amazingness took her breath away:
"Of course, Christopher, if what you say is true, might want to live at Groby with Miss Wannop. In that case he would have to." And he had offered her an expressionless hand and shepherded her, rather fussily, through his dingy and awkward front passages that were lit only from ground-glass windows giving apparently on to his bathroom. . . .
It wasn't until that moment, really, that, at once with exhilaration and also with a sinking at the heart, she realized what she was up against in the way of a combination. For, when she had gone to Mark's, she had been more than half-maddened by the news that Christopher at Rouen was in hospital and, although the hospital authorities had assured her, at first by
