been continually referring had been successive letters from Sylvia to the harried general . . . and that Sylvia had accused him, Tietjens, of stealing two pairs of her best sheets. . . . There was a great deal more. But, having faced what he considered to be the worst of the situation, Tietjens set himself coolly to recapitulate every aspect of his separation from his wife. He had meant to face every aspect, not that merely social one upon which, hitherto, he had automatically imagined their disunion to rest. For, as he saw it, English people of good position consider that the basis of all marital unions or disunions, is the maxim: No scenes. Obviously for the sake of the servants—who are the same thing as the public. No scenes, then, for the sake of the public. And indeed, with him, the instinct for privacy—as to his relationships, his passions, or even as to his most unimportant motives—was as strong as the instinct of life itself. He would, literally, rather be dead than an open book.
And, until that afternoon, he had imagined that his wife, too, would rather be dead than have her affairs canvassed by the other ranks. . . . But that assumption had to be gone over. Revised. . . . Of course he might say she had gone mad. But, if he said she had gone mad he would have to revise a great deal of their relationships, so it would be as broad as it was long. . . .
The doctor's batman, from the other end of the hut, said:
"Poor ——— O Nine Morgan! . . . " in a sing-song, mocking voice. . . .
For though, hours before, Tietjens had appointed this moment of physical ease that usually followed on his splurging heavily down on to his creaking camp-
