ending with the line, “Pure heart, and lofty soul, Eliza
Lynn."
Between the production of "Realities: a Tale," in 1851, and "Witch Stories," there was a gap of ten years, which the young writer devoted principally to journalism. She was, indeed, the first of women journalists. She contributed to several of tho daily papers and magazines. Presently a series of pungent and clever essays began in the Saturday Review, which increased its fame, and took the world by storm. "The Girl of the Period," " The Shrieking Sisterhood," "Paying One's Shot," " Mature Sirens," have now passed into proverbs. They made a famous topic of conversation at dinner-tables, and proved a decided hit. For many years a certain lady of rank had the credit of the series, until at last, after many futile efforts, Mrs. Lynn Linton was allowed to collect her own papers and publish them under her own name.
"I never mind how much slash," says Mrs. Lynn Linton," because I always feel I am not slashing at a personality, but at a type. Thackeray never drew Becky Sharp from one individual; we all know a Becky Sharp."
In 1858 the young writer married Mr. Linton, the well-known wood engraver, and in 1861 began again the interrupted series of fifteen novels, amongst which were “Under which Lord?" "Patricia Kemball," "The True Story of Joshua Davidson," "Lizzie Lorton of Greyrigg," "Sowing the Wind," "The Atonement of Leam Dundas," “ The World Well Lost," "The Rebel of the Family," " My Love," " Paston Carew, Miser and Millionaire," Jane Stewart," "Through the Long
